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Shannon Vaught is a representational realist painter based in Columbus, Ohio. She creates narrative portrait and figure paintings that are classically based but take on a more modern approach by way of color, mark making, and choice in subject matter. The figures in her paintings are often a manifestation of the intangible, exploring a fleeting feeling, experience, or moment in time.
Tim Okamura investigates identity, the urban environment, metaphor, and cultural iconography through a unique method of painting. Urban life and hip-hop has greatly influenced Okamura's subject matter in his paintings - he often blends classical techniques of oil painting with the spontaneity of spray painted graffiti, combining the academic "realism" of his portrait and figure painting with modern graphics set in contemporary urban environments. The juxtaposition of the rawness and urgency of street art and academic ideals has created a visual language that acknowledges a traditional form of story-telling through portraiture, while infusing the work with resonant contemporary motifs.
Okamura has had several solo exhibitions in New York and Canada. His work has been shown in several prominent group exhibitions, including After Matisse/Picasso at the MOMA PS.1 in Queens, New York, as well as the BP Portrait Awards Exhibition at London's National Portrait Gallery. Okamura was invited to The White House in 2015 to honor artists whose work addresses issues of social justice, and received a letter of commendation from President Joe Biden. His 2020 portrait of Toni Morrison was chosen for the cover of Time Magazine and his portrait of Dr. Anthony Fauci was acquired by the National Portrait Gallery in Washington, DC. In 2021, the New York Historical Society acquired his 2021 painting Nurse Tracey, which was featured in the exhibition Dreaming Together.
Okamura - a recipient of the 2004 Fellowship in Painting from the New York Foundation for the Arts – has also had his paintings featured in several films including Pieces of April (InDiGent), School of Rock (Paramount), Jersey Girl (Miramax), and most prominently in Prime (Universal), a romantic comedy about a young New York painter starring Uma Thurman and Meryl Streep. Okamura's work is also notable in Ethan Hawke’s The Hottest State.
Junyi Liu is a painter and performance artist based in New York City. She creates whimsical, vibrant scenes with characters in outfits evoking a different historical period, as a way to mirror the violence and oppression in the real world. Her artworks explore the pain, contradictions, and resistance experienced by ordinary people, especially women, under systemic oppression.
Read moreAt the most basic level, the tensions, contradictions, and complexities of simply existing here, now… often seem too big, too dissonant, and too dreamlike for me to grasp. My attempts to paint them are my way tofind an order in things and often lead to these layered portraits of multiple selves. Subjective snapshots, reflecting the inside out.
Read moreAlexandra Telgmann specializes in the natural interaction between the female form and the element of water. The deep connection between the artist and the sea is visible in many of her paintings. For her, the sea is a decelerating place of power that creates inner peace and at the same time reflects states of consciousness of one’s own life.
What is the purpose or goal of your work?
My art aims to forge a deep connection between nature and the view- er, inspiring awareness and conservation of our environment. I draw inspiration from the natural element of water, capturing the beauty, power, and adaptability of marine life and the female form in the ocean. Through my paintings, I hope to evoke a sense of serenity and strength, encouraging people to pause, reflect, and appreciate the world beneath the surface. By highlighting this connection, I aim to foster a deeper appreciation for the ocean and its protection.
Do you have a network of other artists, and how do they support you?
Connecting with artists worldwide is a significant part of my life. Through international exhibitions, workshops in Europe, a scholar- ship in Rome, and social media, I’ve met amazing artists who share my passion. This network provides valuable support and insights on techniques, galleries, and exhibitions. I especially appreciate the 33 Contemporary/Poet Artists community led by Didi Menendez, which offers unwavering support and fosters connections among artists. This community has been a source of encouragement and inspiration, helping me stay motivated and engaged in my work. It’s wonderful to connect with others, especially since we often work alone. I’m truly grateful for everyone’s support and the sense of camaraderie it brings to my personal and professional life.
What is the best advice you have received in your career?
To become what you want to be, you must be patient with yourself and others. Stay focused, and understand that time, combined with discipline and dedication, will reveal new directions to both yourself and those around you. The best advice I’ve received in my career is to remain focused on my goals despite obstacles or setbacks. Envision the goal and work toward it day by day.
Has the press or media ever mentioned your artwork?
I’m very grateful for the interest the press has shown in my art- work. Earlier this year, I was honored to be a finalist in the NTD International Figure Painting Competition, which included an ex-
hibition at the Salmagundi Art Club in New York, USA. This recog- nition led to interviews and features on platforms like the Epoch Times and on TV, where one of my statements was broadcast on the news. My work has also been showcased in magazines such as American Art Collector and Fine Art Connoisseur, and featured in various newspaper articles in northern and central Germany.
As my visibility in the media grows, I feel it’s essential to use my voice to engage the audience in a deeper conversation about our connec- tion with art, nature, and the importance of its conservation. Through my art, I aim to inspire a greater appreciation for the beauty and signif- icance of the natural world, encouraging viewers to reflect on their own relationship with the environment and to find a beautiful pause from the hustle and bustle of life through mindful observation.
Describe a piece of art you are most proud of. Why?
When starting a painting, we never know how it will resonate with the world; it begins as an idea brought to life on the canvas. One piece I’m particularly proud of is my shark series. For me, sharks symbolize strength, power, and focus. My second shark painting, titled Golden Ocean Reflection Shark, features a shark moving gracefully through the ocean waters. The sun’s reflection on the surface is depicted with 24-carat gold leaf, creating an intense and captivating shimmer. This reflection also forms a beautiful pattern on the shark’s body, which I love to paint and observe.
This painting holds special significance for me because it embodies personal strength and connection with the ocean’s beauty and its creatures. It was the first painting from my collection to be included in the Lunar Codex, stored on the Moon thanks to 33 Contemporary gallery. You can also find it for sale on Artsy. This painting is dear to me because it represents a journey from the depths of the ocean to the Moon, marking a significant milestone in my art career. It also invites viewers to connect with the wonders beneath the ocean’s surface.
O’Neil Scott is a Pennsylvania based representational oil painter. Captivated by portraiture and its capacity to impart complexities that comprise the human condition his work is designed to give a voice to marginalized communities. His paintings convey contemporary subject matter and look to give the viewer a way to understand and relate across social boundaries. He had his third solo show in 2022 and has been in numerous publications including Fine Art Connoisseur Magazine, American Art Collector Magazine, and Artist Magazine. His work is in private collections across the United States and Internationally. He currently has a solo exhibition planed for Villanova University in 2022 and a Solo Museum Exhibition at the Zillman Art Museum in 2025.
Born in America, Sydney-based Kim Leutwyler migrated to Australia in 2012. She works in a variety of media including painting, installation, ceramics, print media and drawing. Leutwyler's current body of work features paintings exploring notions of beauty, gender and queer identity. She has come to focus on painting as a medium because of its primarily masculine history in the western art canon. Her artwork has been exhibited in multiple galleries and museums throughout Australia and the United States.
Rachel Linnemeier’s subject matter includes powerful women in situations that both evoke strong feelings of nostalgia and inspire narratives. The overarching theme of Rachel’s work includes tension between the idea of modern adulthood and residual childhood. Each piece is composed of bright and vivid colors creating a youthful feeling while simultaneously expressing maturity through the pose and expression of the figure. Recent works have begun to explore the addition of landscapes to create complexity in narrative.
Ann Moeller Steverson is an American artist known for her emotive and mood filled figurative works, primarily created with oil on copper. Her works are described as having a timeless quality which invites the viewer to create their own sensitive response and narrative through a compelling tension and sense of mystery. Through the quiet intensity of each piece she seeks to share her most authentic self, what she loves, and an invitation for connection. Born in Huntsville, Al, in 1980 she continues to reside there, working within a vibrant artist community. There she paints, teaches, and operates an atelier to promote the advancement of realism in modern painting.
Chris Clark is a self-taught visual artist, illustrator, and muralist living and working in Jacksonville, Florida. Art, to him, is a form of journalism.
Using acrylic, oil, ink, and spray paint, he explores the rich culture and history of the Black community across the diaspora and the social issues affecting them today. For Clark, reflecting the human figure is very powerful, which is why he uses graphic-style portraiture and figurative works to depict Black life in America through his personal lens of a Black man. At the core of his work is the notion that representation matters. As the artist explains, “By telling my story, I want to help the viewer rediscover theirs.”
Clark’s artwork has been shown in exhibitions around the U.S. and abroad, including his recent solo exhibition “New Growth” at Kent Gallery FSCJ in Jacksonville and at the Nelson Mandela Metropolitan Art Museum in Port Elizabeth, South Africa. He has received multiple art awards and grants for his work. Clark was chosen to participate in the House of Sedulo Artist Residency in London, UK and the Chateau Orquevaux Artist Residency in Champagne-Ardenne, France in 2022-2023. Most recently he completed his first artist fellowship the DEAR (Digital Evolution Artist Retention) fellowship through the Caribbean Cultural Center African Diaspora Institute in New York.
Pippa Hale-Lynch’s paintings use figures and portraits to capture intimate moments of solitude and grief. She is a contemporary figurative realism artist working primarily with oils. Her works incorporating figures suspended within water capture beauty in fleeting moments of solitude.
More recently she is exploring the theme of grief, stemming from her mother's tragic and untimely death when she was 20. At first glance, the playful use of the sugary jam can be mistaken for blood, a visual representation of the wounds left by the destruction of grief experienced by the sitter.
Pippa uses techniques learned over 12+ years of practice and training in traditional representational drawing and painting. She uses herself, her family, and loved ones as sitters to best reflect the intimacy of the work.
Amy Ordoveza is a contemporary realist artist who creates detailed, imaginative still-life paintings. She carefully crafts and arranges the delicate cut-paper plants, animals, and architectural elements that she depicts in her oil paintings. The fragility of the paper objects suggests impermanence while Ordoveza’s close observation and meticulous handling of paint hint at their significance. Her compositions evoke a sense of beauty and mystery in ordinary surroundings.
Ordoveza received her MFA from the New York Academy of Art and her BFA from the Maryland Institute College of Art. Her historical influences include 17th century Dutch still life painters including Rachel Ruysch and Jan Davidsz de Heem as well as surrealists such as Kay Sage and René Magritte. Ordoveza’s work is included in the Lunar Codex and the Nova Scotia Art Bank and has been featured in publications and websites including American Art Collector, PoetsArtists, and Booooooom!
Diana Carolina Lopez | Kate’s Resilience, 2023 | Oil on canvas | 31 9/10 × 23 9/10 in | 81 × 60.8 cm
In the realm of painting, there's a profound beauty in artists painting their peers. This practice is more than just a mere portrayal; it's a tribute, an intimate dialogue between creatives who share a relentless impulse to express. The online exhibition "Artists Painting Artists" magnificently en- capsulates this concept, offering viewers a chance to witness one artist's perspective of another's essence.
Imagine a world where each brushstroke is an ode, where every color and line is a symbol of respect for a fellow artist's journey. In this unique form of portraiture, the artist is both a narrator and a participant, engaging in an unspoken conversation with their subject. It's akin to self-portraiture, yet here, the artist sees themselves through the eyes of another, providing an external viewpoint that is often enlightening.
The exhibition leads us through various narratives, each portrait unfolding a story that beckons us to explore deeper. There's a certain magic in the gaze captured by these artists. It invites us to ponder, to lose ourselves
in the depths of the subject's character. What lies behind those eyes? What stories do they tell? These are questions that resonate throughout the gallery.
Historically, the art world is rich with examples of artists painting their contemporaries. These portraits are not just mere records; they are tes- taments, eternalizing the honor and reverence of being the subject of a fellow artist's canvas. They forge a bond across time, connecting the past, present, and future in a continuous thread of artistic admiration.
As you delve into this exhibition, let each portrait intrigue you, drawing you into the narratives they weave. Each piece is a journey into the heart of creativity, a celebration of the artistic spirit that connects us all. This is not just an exhibition; it's a homage to the enduring bond between artists, a tribute to the shared passion that fuels their creative souls.
- Sergio Gomez, MFA
Erica Calardo is a figurative painter living and working in Italy. Her works in oils, watercolors, and pencils are windows on the solitude of lost souls. She explores the realm of Beauty, Grotesque, and Magic, by creating eery oneiric feminine figures who tell tales of long forgotten dreams, of an imaginary timeless past.
Deeply rooted in the Italian Tradition, her technique is inspired by the Renaissance and Mannerism old masters (Leonardo, Bronzino, and Lavinia Fontana above all). She is mostly self-taught and has learned her skills from old dusty books. She has recently studied academic painting with Italian master Roberto Ferri.
Since 2010, she has showcased her work in galleries in Italy (Mondo Bizzarro, Studio21), and abroad (La Luz de Jesus - LA, Auguste Clown - Australia, Modern Eden, Swoon, Flower Pepper, WWA, and Spoke Art, Distinction - USA, Pinkzeppelin - Berlin among others). Erica's paintings have appeared in several magazines and books, like Miroir Magazine, Beautiful Bizarre, Il Manifesto, Inside Art, Italian Pop Surrealism, Illustrati.
Eugen is an artist who has developed a highly personal style that makes his beautiful pieces instantly recognizable. His paintings from the last few years, is simultaneously beautiful in both technique and aesthetic, but also creates a subtle sense of unease in the viewer. The work demands answers (or at least questions) from the viewer. It demands contemplation. And yet, the sheer honesty of it makes it something that can be lived with. This is challenging art that could take pride of place in a living-room and be accepted into your life. Eugen is one of the bravest artists that we know, in that his paintings are a refined, but almost excruciatingly honest, recording of the journey of his life, both the highlights and also the dark depths of thoughts and emotions that generally are hidden away and never shared. Even though they can be uncomfortable, something of Eugen’s innate empathy and compassion is also contained in each of his paintings and they provide a deep sense of support and strength that comes from exploring and knowing your limits.
LORENA LEPORI
Lorena Lepori's figurative oil paintings have a narrative based on the representation of feminine figures beyond gender, relating to everybody who can express the power of femininity. She uses cross-dressing to reach out and create iconic alter egos to expand and embrace a hidden part of her models’ personality through look transformation. She relies on myths, fairytales and clichés challenging the traditional representation of the matters, re-introducing them in a contemporary setting, mixing old and new symbols to relate more with universal concepts.
What is different from your art work than other artists working in contemporary realism?
I believe intentions are what makes every work unique. Mine are unpredictable, sometimes. I am mostly inspired by personal memories, abstract feelings and references from movies and music I grew up with. This combination of elements characterizes what I produce.
How important is process versus the end result?
In my case the two are deeply connected. Once the right idea hits me, the creative process evolves quickly; subjects, backgrounds, outfits and props are already in the picture before I touch the brush. They are so clear to me, that ,rarely, I found something different from what I have planned on my canvas.
What is your ultimate goal when creating contemporary realism?
Make the viewers curios about the references and amuse them with the twist I like to add in the composition.
What do you like best about your work?
In the process I like the attention I give to the concept. In the end, I like to see the materializing of my abstract idea.
What do you do you like least about your work?
I would love to be more spontaneous, less obsessed with technical details.
Why contemporary realism?
I consider myself a pragmatic soul, but nothing trigs me more than realistic figures, amazingly executed, immersed in the abstraction of an idea.
Which are your greatest influences?
My very first love was Tamara De Lempicka, flamboyant colors and beautiful women in glamorous and swoony poses. I think I got my imprinting from her, and that would explain the focus of my attention into feminine figures.
Caravaggio, and his incredible dramatic work, definitively represents a level I have always aimed to. Last but not least, Gustave Klimt who stimulated my curiosity with his ethereal pale women, wrapped in symbols and flat fabric.
What is your background?
I used to be a cartoonist and illustrator in my twenties. Life drove me away from that world for several years. Only in my forties I went back to my original passion, and I started to train myself as a painter, with the help of artist friends and a lot of self-teaching. It is now 9 years that I am totally committed to oil painting. And I love it!
Name three artists you'd like to be compared to in history books.
I would love to see my name mentioned next to the three artists named above, that would be of course very ambitious and not very humble.
Which is your favorite contemporary realism artwork today?
A huge masterpiece by Sergio Martinez - The portrait of Desire
1. What is different from your art work than other artists in contemporary realism?
Unlike still life, landscape painting or botanicals, my flowers are my live models. They have personality, express emotion and have a narrative. The story of my flowers is a dialog between color and the shapes they create; and the conversations can be harmonious, complementary, or energetic.
2. How important is process versus the end product?
The process of painting provides such joy. I love the fluidity of the oil paint, and the satisfying control of my brush. The discovery of the palette as it reveals itself is like watching an engrossing movie. Time doesn’t exist when I’m painting, I’m simply in a zone, a headspace of hundreds of intentional decisions flowing from my mind. The end product is, as some say, “when I stop painting.” To conclude a painting is to finish a good book: resolved and better for the experience.
3. What is your goal when creating contemporary realism?
My goal is to sell my work, so I may afford to continue painting! I heard Audry Flack say recently that art is healing; that can be for the artist and the viewer. Flowers are life-affirming, and beautiful. Beauty itself is healing, whether creating or appreciating it.
4. What do you like best about your work?
My new series of floral paintings fuse representational florals with elements of design. It is exciting and hopeful to make work with the goal of expressing beauty.
5. What do you like least about your work?
I have many more ideas than I can paint. Editing is crucial. My painting process takes time, so I never have enough.
6. Why contemporary realism?
I enjoy painting what I see, then putting it through my filter and express the beauty.
7. Which are your greatest influences?
My parents, who were artists.
8. What is your background?
A family of artists contributed to my early interest in art. My grandmother, mother and father all attended Cooper Union for art. My mother was a painter and my father, Thomas Di Grazia was a published illustrator and painter. I attended LaGuardia High School of Music & Art and then earned a B.F.A. from Hunter College. I also studied at S.V.A., Parsons, and the Art Students League of New York.
9. Name 3 artists you’d like to be compared to in the history books:
Instead of artists from history, I’d rather be along side the many artist friends whose work I admire.
10. Which is your favorite contemporary realism artwork today?
It is difficult to choose just one particular favorite contemporary realism painting, but some of my favorite contemporary artists are: Xenia Hausner, Hope Gangloff, Audry Flack, and Janet Fish.
Di Grazia’s representational paintings are a celebration of color, light and form. Her compositions exhibit formal aesthetic elements, whether using soft pastels or oil paints, she uses a luminous and vibrant color palette that transform the formal foundation into something exciting and dynamic. Her work seeks to evoke the life-affirming beauty inherent in the natural world, and reveal what is extraordinary in the familiar. Ultimately, it’s not the subject matter that interests Gemma, it’s the tone, the gesture, color, light, scale and composition, that continue to absorb and inspire her.
1- What is different from your art work than other artists working in contemporary realism?
I think my work looks different because I work in three picture planes, a foreground, midground and background and they are clearly separated by dimensional feeling. I like to play with texture and use color harmonies to push the near too far feeling. I think the individual elements of my paintings are realistic but the overall composition is imaginative.
2- How important is process versus the end result?
I spent so much time developing a process with oil paint using material surfaces that were mostly handmade. I hoped to create textures that were not seen before. Being a painting teacher, I surrounded myself with more people who were focused on technique and HOW to paint. When you have a show and you discuss your work with more non-painters you learn they are talking about and focus on the final image and WHAT you painted.
3- What is your ultimate goal when creating contemporary realism?
To paint my truth but ultimately connect with a wide enough audience which make my paintings immortal.
4 -What do you like best about your work?
It is a reflection of my thoughts.
5- What do you do you like least about your work?
How long it takes me to call it complete.
6 -Why contemporary realism?
Because when I walk out of every museum and art fair I visit that is the genre that stays with me and can’t stop thinking about.
Field of Lilies, 2018
Oil on panel
20 × 30 in | 50.8 × 76.2 cm
7- Which are your greatest influences?
I’m going to go with the living ones because I had the opportunity to study with all of them starting with David Leffel then Steven Assael and weekend with Bo Bartlett.
8- What is your background?
I went to art school with a focus on illustration and design. I began painting after art school at the Palette & Chisel Academy where I was able to paint with dozens of great artists and talk art talk art 24/7.
9- Name three artists you'd like to be compared to in history books.
I like Vermeer for his thoughtful picture making, I like Thomas Dewing for his etherial quality and made up color harmonies and I like Degas because when you think of dancers you automatically think of him.
10- Which is your favorite contemporary realism artwork today?
Daniel Sprick’s Four Horsemen of the Apocalypse.
MICHAEL VAN ZEYL
Michael Van Zeyl is a full-time artist living and working in Chicago. His formal training began at the American Academy of Art, continuing on at Chicago’s Historic Palette & Chisel Academy. His art has been featured in several publications such as: American Art Collector, PoetsArtists, and American Artist magazine. Michael’s work is already appreciated in many public and private collections, such as the United States District Court, University of Chicago and was the 2014 recipient of the Dorothy Driehaus Mellin Fellowship for Midwestern Artists.
Terry Strickland paints realistic, conceptually provocative figurative oil paintings. They have a modern sensibility and vibrant color with an old master’s attention to detail. The results are beautiful, compelling paintings with universal themes. Much of Terry's work investigates the idea that a choice of costume can reveal or conceal truths about our shared humanity. She explores the concept that change is the one constant in life and is necessary, at times turbulent, painful, or joyful.
Strickland's work is in The Bennett Art Collection and has been collected, published, and exhibited extensively throughout the United States.
Was 2022 a good year for you?
It was a very good year for me. I spent a lot of time painting and finished my first large piece since before COVID and that was exhilarating.
I had some wonderful encouragement from curators, writers, and editors when they included my paintings in their exhibitions and art publications. It’s a great validation that the direction of my work is one that’s resonating.
I enjoyed teaching, too, classes and workshops in person and through my Patreon, where I mentor artists one-on-one, and post instructional and inspirational materials.
What were some of the highlights in your art career?
I’m now represented by Didi Menendez at 33 Contemporary Gallery. I’ve been doing group shows as an invited artist for a few years and I’m looking forward to working with them in a closer relationship.
My painting Phoenix Rising made the cover of Fine Art Connoisseur. That was a very nice surprise!
I was honored to be invited by Peter Trippi, Fine Art Connoisseur, editor in chief, to teach at Realism Live, A Virtual Global Art Conference. It was fun to virtually meet people from all over the globe and be presenting along side some of my favorite artists.
What was the craziest thing that happened?
Images of some of my paintings are going to the moon! They’re included in a time capsule as part of the Lunar Codex, founded by Samuel Peralta. I wish my dad, who worked at Kennedy Space Center as a Quality Inspector on the space shuttle, had lived long enough to see this. It means so much to me a "Rocket Kid" who grew up watching every launch and having the space program and integral part of our lives. Thank you, Dr. Peralta.
Did your art sell?
I sold some in the last quarter of the year and am hopeful that’s a good sign that the economy is recovering. I’ve been in this business long enough to know that there are ups and downs. My strategy is to keep making art, entering shows, and connecting with people. The market will come around.
Were you included in any shows?
It was a busy year for online and physical exhibitions. I had work in several 33 Contemporary Gallery exhibits, The Final Frontier, the Summer Pop-Up show.
My paintings were included in Painting the Figure Now, International Exhibit off contemporary Figure Painters at Wmoca in Wisconsin, in the International FIKVA Award 2022 Exhibition, Antwerp, Belgium, is a finalist in the Art Renewal Center’s International Competition, and was in the Realism Live Faculty Art Auction.
Were you published in any art magazines or periodicals?
Yes, the first this year was Fine Art Connoisseur’s March/April, 2022, issue in an article about collector Robert C. Kennedy. After the purchase of my painting, Voice of the Tiger in 2010, Robert said, “It’s acquisition helped solidify my realization that I was developing a substantial collection and prodded more serious thinking about that fact.” For me seeing the painting was like seeing an old friend.
My work is in feature articles in American Art Collector, about Painting the Figure Now, July 2022, Fine Art Connoisseur, Dressed to Impress, Nov-Dec issue.
What are you looking forward to in 2023?
Painting more provocative paintings that connect with people. Continuing to push my craft. Working on new ideas for several new series. I look forward to what 33 Contemporary will accomplish together with exhibitions and art fairs.
Lorena Lepori's figurative oil paintings have a narrative based on the representation of feminine figures beyond gender, relating to everybody who can express the power of femininity. She uses cross-dressing to reach out and create iconic alter egos to expand and embrace a hidden part of her models’ personality through look transformation. She relies on myths, fairytales and clichés challenging the traditional representation of the matters, re-introducing them in a contemporary setting, mixing old and new symbols to relate more with universal concepts.
Was 2022 a good year for you?
In terms of productivity I am very satisfied. I am a compulsive painter. I managed to create 12 medium sized pieces plus one on its way that will hopefully be ready before the end of this month. So that would make it 13. My new lucky number!
My work has also been published in two main art magazines, selected for two online exhibitions with 33 contemporary gallery, and I also had my first experience as a painting teacher which was great since the interaction with students gives me the opportunity to grow more.
Last but not least, this year I had the privilege to be included with several of my works in the Lunar Codex Project headed by Dr Samuel Peralta.
Were you included in any shows?
Two of my postcard size works were part of the Online Exhibition ‘Mujer’ curated by Didi Menendez. My painting ‘Periodt’ is part of the online show ‘Exertion’ curated by Daniel Maidman and ‘Unheard’ has been included in the online show ‘Seeking Madonna’ curated by April Carter.
Were you published in any art magazines or periodicals?
This year one of my gigantic pieces from my 2021 collection about Drag Queens impersonating feminine clichés, ‘The Barbie Doll’, was featured in the November/December Issue of Fine Art Connoisseur as part of the Today’s Masters section ‘Dressed to impress’.
One of my most recent piece “Periodt” was published in American Art Collector as part of the Show Preview curated by Daniel Maidman ‘ Extertion’
How has social media affected your daily practice?
Social media are always fun, mostly because you can have an immediate feedback. The idea of assigning a soundtrack on a specific painting to emphasize the mood of the work is also a little game that I enjoy playing. All of this despite the infamous algorithm which I hardly comprehend, so especially in the last months, it was very hard to get all the views and the engagement I expected to achieve with my posts. It’s entertaining though, so I will keep playing with it!
What are you looking forward to in 2023?
My wish list could be quite long, but to sum it up: being accepted as a finalist at international ARC Salon would be a great achievement- Also, the growing interest in my work will at some point convert in to more sales. I think 2023 is perfect for that!
