Aixa Oliveras is a contemporary symbolist painter who creates narratives based on her own cultural experiences. Working within the realm of classical realism, Aixa’s work pairs the figure with pattern and symbolic use of color. Through her oil paintings, Aixa creates metaphorical narratives of rebirth and identity. She is inspired by the Symbolist and Art Nouveau movements, as well as the warmth and color of Puerto Rico, her birthplace. These influences intermingle in her work, creating her own pictorial language. Aixa is currently developing her studio practice in Miami, FL.
Was 2022 a good year for you?
For me, 2022 was a trial by fire. I started the year with a creative block. I was also transitioning to life post-pandemic, which was quite a challenge. It was rough, but I learned so much about myself and what I’m capable of. It forced me to face subconscious patterns of self-sabotage. Through that process I learned the skills I needed to help overcome them. In that sense, even though it was hard, I’m grateful for everything that happened this year. It’s given me the inspiration and drive to keep creating.
What were some of the highlights in your art career?
Even with the creative block, I had some special highlights this year. My work was included in the Mujer Exhibition with 33 Contemporary. Also, two of my artworks are included in the Peregrine Collection, which will have its permanent home on the moon. My work being on the moon still feels surreal and like a “pinch me” moment, haha.
Did you art sell?
Yes. My work sold through 33 Contemporary and directly from my studio. I also completed commissions this year.
How has social media affected your daily practice?
Social media for me is a double-edged sword. On one hand, it’s an amazing way to discover new artists and be part of a thriving community. But on the other, there’s this pressure to constantly produce new work. I’ve even gotten comments on some of my posts attempting to shame me for not posting new work. It’s this insidious pattern that if you’re not careful, can completely derail you from your own creative process and from following your artistic voice.
I’ve learned that the creative process itself is not “on” all the time. It goes through seasons. Sometimes you need to take a break and express your creativity in other ways. I compare it to filling up a gas tank. Once the gas tank is full, you’re ready to create again. But the pressure from social media to constantly produce can sabotage that process. I feel that as artists, we need to recognize when that’s happening and set boundaries for ourselves, so that we don’t fall into this trap. Even though there will be detractors, there will also be people who genuinely love your work and are understanding of the process. So in that sense, social media can be an amazing thing to be a part of. It’s all about balance.
What are you looking forward to in 2023?
I’m looking forward to creating new work! I feel invigorated and hopeful for the future. My creative gas tank is now full again. I also look forward to exploring new opportunities, both in Miami and online. Lastly, I’m looking forward to connecting with collectors and creating relationships that enrich both our lives, all through the prism of art.